![]() ![]() This is my first time working with Joss and I enjoyed it immensely. How was the collaboration with director Joss Whedon? ![]() We also know that Marvel films have a tendency to evolve during post-production so to be prepared for changes, and to get extra material while we’re shooting to cover completely new shots and even pieces of action that might come up – so we do our best to be prepared for any changes after shooting wraps. We know they like us to be bring forward ideas and help them solve problems and that’s very empowering. Our animation supervisor Marc Chu, producer Jeanie King and co-vfx supervisor at ILM Philippe Rebours have all worked with Marvel before and so again there was a degree of comfort and trust. I was comfortable dealing with the studio and bringing ideas to the table. As with every show of course we needed to get to the right price as well, but there was a level of trust and creative agreement between Chris and I that stood us well throughout the show. How was this new collaboration with Production VFX Supervisor Christopher Townsend?Ĭhris is ex ILM and we’ve worked together before and I think he felt the ideas I brought forward in discussing what we could to to improve the Hulk were good. Chris Townsend, the studio side supervisor told us he felt that only a couple of VFX houses in the world were capable of the sort of work that was needed for the Hulk and Ultron and he was talking with both of us. I worked on the first two IRON MAN films and so I knew the team at Marvel, and ILM has worked on several other Marvel projects. How did you and ILM got involved on this show? I studied computing and film at Canberra University in Australia and started in the industry working for a boutique computer graphics house in the UK as a runner, then worked in London and Sydney on commercials and program openers before joining ILM in 1994. He then became VFX Supervisor and take care of the visual effects of movies like STAR WARS EPISODE II – ATTACK OF THE CLONES, IRON MAN, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or NOAH. ![]() He has worked on films such as TWISTER, JURASSIC PARK: THE LOST WORLD or THE MUMMY. Ben Snow joined Industrial Light & Magic in 1994. ![]()
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